He died too young the Kennedy family has paid dearly for its ardor for public service.Īlmost instinctive in the recoil at his murder was the sense that it was a part of a climate of violence. If Robert Kennedy, a complex man, ambitious and fatalistic, did not inspire so universal an admiration as his brother, he had shown himself capable of growing and deepening. The nation in less than six years has watched the violent deaths of two Kennedys and a King. Wrote LIFE in that issue after RFK’s murder: It’s reminiscent of a tone sometimes encountered in portraits by the Old Masters. As a photograph, it’s astonishing: made in an instant, Eppridge’s picture possesses the immediacy of great photojournalism, while conveying a totemic sense in its interplay of light and dark. As a historical document, it’s indispensable. The very first picture in the gallery is not only the most recognized and most frequently reproduced picture from the night of the assassination, but one of the most chilling, signature images of the 1960s. #Rfk assassination busboy photo seriesHere, remembering RFK’s assassination-a murder that came just as Kennedy was finding his true voice as the leader of a vast, disaffected cross-section of the American public- presents a series of photos by the great Bill Eppridge. the Tet Offensive, the My Lai massacre and the other horrors of the war in Vietnam and, in early June, the murder of Robert Kennedy by a Jerusalem-born Palestinian Christian, Sirhan Sirhan, in the kitchen of the Ambassador Hotel in Los Angeles. That question, posed by LIFE magazine in its June 14, 1968, issue, is freighted with all of the emotions-sorrow, frustration, a bewildered dread-unleashed by the events that unsettled the country in the first half of that schizoid year. How many times must we live through these throat-paralyzing sequences of days of gun play, grief and muffled drums?
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